Asian
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(Excerpts from ART HARDWARE: The Definitive Guide to Artists’ Materials, by Steven Saitzyk © 1987) Asian Inks and WatercolorsAll the research on inks and watercolors leads back, again and again, to China and Japan. Calligraphy itself is the oldest form of abstract art, and watercolor painting developed from it. It would seem almost impossible to master waterborne media without some appreciation for the source of it all. And to appreciate the art of the East is to appreciate the nature of its materials, for they are inseparable. It would also help to understand that the selection of Oriental materials is more subjective than objective. It is possible, for example, to choose from as many as fifty different shades of black, ranging from warm blacks to cold blacks, all of the same level of quality. In such a case, how could a choice be anything but subjective-how can one shade be said to be better than another unless it meets your own particular needs or desires? The best guidelines for the novice are price and previous exposure. With Oriental materials, price is a good indicator of quality because, in general, if it costs more, it's usually better. Another guideline is not to overbuy. If, for example, you have never before been exposed to ink sticks and ink stones, it is unlikely that you will be able to experience the subtle differences between their levels of quality and you would be wise to buy conservatively. Ink SticksBottled Oriental InksInk StonesAsian Watercolors"New Earth Colors"Seal Ink |
Questions regarding materials and the
creative process will be considered a request for a consult and
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