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(Excerpts from ART HARDWARE: The Definitive Guide to Artists’ Materials, by Steven Saitzyk © 1987) A watercolorist should not only have an understanding of the quality of his or her paints but should also have a working knowledge of the compatibility of the pigments used and the effect air pollution may have on their stability. The pigments in watercolor do not possess a protective coating as oil paints do; therefore some pigments can react chemically with one another, as well as with air pollutants. This lack of a coating means that dye-pigments, which by their nature tend to bleed and stain the painted surface, are a greater problem with watercolors because they can stain not only the paper but the brush and palette. All these factors make it imperative that you understand the working characteristics of colors that you wish in your palette. (See the Table of Pigments and Colors, pages 166 to 199.) You should consider avoiding chrome colors in watercolor because they contain lead, which can react with the air pollutant sulfur dioxide and blacken. And, if you are going to rework painted areas frequently, you may wish to avoid dye-pigments, which can stain permanently, and select primarily mineral pigments, which will not. |
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