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(Excerpts from ART HARDWARE: The Definitive Guide to Artists’ Materials, by Steven Saitzyk © 1987) The major difference between Western watercolors and Oriental watercolors is that in the Oriental system some colors are by tradition opaque, and others are transparent. They are sold in the form of a dry cake in a ceramic dish, or in a powdered form where the liquid binder is mixed in with water to make watercolor, or in colored ink sticks. (Although none of these materials should be considered nontoxic, traditional vermilion ink sticks, because they are made from mercuric sulfide, are highly poisonous and should be used with caution.) The best Chinese watercolors come in a very limited number of colors and are in the form of little chips that are dissolved in water to make the color. With the exception of these chips, most of the Oriental colors available in this country are not of the first quality. Today, most instructors of Chinese and Tibetan painting who live in the West recommend the use of the finest tube Western watercolors and gouache over the lesser-quality Oriental watercolors. |
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